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Certainty

“Certainty” is a new music video I made and would like to share with you. Let me know what you think:-)
–Seda

Seda chats with Ken Ueno and Lei Liang about their new pieces for “Tales from the Silent Lands”

This week my new project “Tales from the Silent Lands” will make its world premiere in Boston @ the Goethe Institute (April 14, 8pm)! Before the premiere, you can watch video-conversations with Ken Ueno and Lei Liang on their new piano pieces “Volcano” and “Piano, piano” which they composed specially me and for the “Tales from the Silent Lands”.

Tales from the Silent Lands… is partly supported by the Moon and Stars Project New York.

CreatePermanence is Now Online!

We have just released a new web application that lets users create their own version of the opening piece “Permanence” of the CD “Listening to Istanbul”. CreatePermanence web application includes listeners in the process of making music. “You can listen to many improvisations and musical gestures that I recorded specifically for this website and then remix them on a timeline at certain points in the compositions,” says Seda Röder, who has been described as “the master of avant-garde pianism” by piano legend Alfred Brendel. “Permanence” by the Turkish composer Tolga Tüzün is written in open form and consists of composed segments and improvisational sections that can be played in an order chosen by the performer. The web application features improvisations that were recorded for “Listening to Istanbul”, plus additional ones that were intended specifically for this web application. With this web application you can re-arrange these segments and improvisations, and change the sonic path of the piece. After you are done, you can download your own version of “Permanence” free of charge.

Please feel free to share it with your friends!

GO TO CREATEPERMANENCE WEBSITE.

Blackbox #012: The Music of Noise

In this episode I would like to talk about understanding “noise” as a musical element and discuss briefly two milestone pieces that show different approaches to integrating noise into a composition: Poème électronique by Edgar Varèse and Guero by Helmut Lachenmann.

Enjoy!
- Seda

Watch&Read
Art of Noises (1913) by Luigi Russolo

Poème électronique by Edgar Varèse (audio only)

Poème électronique by Edgar Varèse (original video)

Background on Poème électronique

Guero by Helmut Lachenmann (video)

Excerpts in the podcast come from:
CD 1: Electro Acoustic Music: Classics, Neuma Records, 1990
CD 2: Lachenmann, Piano Music / Marino Formenti, Col Legno, 2003

Seda Röder improvizes first-ever electro-acoustic cadenza for a classical concerto

In this video, New Music Pianist Seda Röder improvises the first-ever electro-acoustic cadenza for a classical concerto!

Röder, who specializes on bringing contemporary music to new audiences, says that “the public at Beethoven’s time would have expect the soloist to improvise in the cadenzas. I wanted to do the same, but in a style that is my own and entirely modern.”

To turn this vision into reality, Seda worked together with Mexican composer Edgar Barroso who provided an electro-acoustic framework that she could use for her improvisations.

When Röder was approached by Harvard conductor Hanjay Wang with the suggestion to perform with the Chinese Symphonic Masterpieces Orchestra, the unusual idea finally came to life!

To find out more about this very special project, please listen to the latest episode of Seda’s podcast in which the pianist shares her thoughts on the unusual performance.